Sonia delaunay3/13/2024 ![]() The poetic language of colour and form, pioneered by the radical movement of Orphism that Delaunay and her husband, Robert, developed in the mid- 1910s, is also known as ‘Simultaneous Contrast’ where the artist combines primary and secondary tones, imbuing the works with emotional and vibrant energy. Published in 1966, Rythmes-Couleurs (Rhythm Colours) included 11 gouaches reproduced as pochoirs with text by Jacques Damase that extoled the ‘inner power of art through the juxtaposition of contrasting colour’. BASTIAN’s forthcoming exhibition brings together a number of works from Delaunay’s Rythmes-Couleurs series that epitomise the bold yet simple colourful forms that were typical of her late period of abstraction. ![]() Delaunay, no doubt one of the most influential female artists of her time, is known for her sense of depth and movement and her bold approach to colour. ![]() One of the great pioneers of abstraction, Sonia Delaunay was a key figure in the Parisian avant- garde.
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